CHAPTER TWO
The Story of RudramahÃlaya
In order to understand fully the meaning of what was exposed at Sidhpur and the strife it caused, we have to know what the Rudramahalaya was, how it came to be built at Sidhpur and how a Jami’ Masjid was raised on its site and from its debris. The Report of the Minorities’ Commission provides some historical background. So does the Note from the Government of Gujarat. But the information is meagre and leaves a lot to be told. Both of them were dealing with a ‘communal problem’ and were not expected to give a detailed history of Sidhpur, the Rudramahalaya and the Jami’ Masjid.
Sidhpur
The Note from the Government of Gujarat gives no information about the historical or religious importance of Sidhpur. The Report of the Minorities’ Commission says that ‘Sidhpur is a historical town’ and that ‘it was ruled successively by Hindu Rajas and Muslim Sultans.’
The PuraNas regard Śristhala as the most sacred spot in the Sarasvata-maNDala of Gujarat. The Bhagvata PuraNa associates it with Kardama rishi, who had his hermitage here, and also with Kapila muni, who was born in this place on the bank of the sacred Sarasvati river. It was also known as Vindusara.
ANahillapaTTaNa, now known as Patan, was built in AD 745 by Vanaraja, the founder of the ChavoTkaTa or Chapa or Chavda dynasty. It reached its greatest glory, however, in the reign of JayasiMha (AD 1094-1143), the most illustrious ruler of the Chaulukya or Solañki dynasty of Gujarat. Jayasimha was very much devoted to Śristhala and visited it often in order to keep the company of sages and saints living at this place. There is a popular legend that JayasiMha defeated and captured Barbara, a demon who was molesting the holy men at Śristhala. Barbara, we are told, became his obedient servant and performed many superhuman deeds for him. That is how JayasiMha earned the sobriquet of Siddharaja. He built at Śristhala a temple dedicated to Rudra Mahakala which became known as Rudramahalaya or simply Rudramala. Because of its close association with Siddharaja, Śristhala became known as Siddhapura which name was corrupted to Sidhpur in course of time.
The spiritual fame of Sidhpur, however, proved to be its misfortune when Gujarat passed under a long spell of Muslim rule towards the close of the thirteenth century. Thereafter it attracted the attention of every Islamic iconoclast. Its temples were reduced to ruins and its holy men were either killed or scared away. Its spiritual importance had become greatly reduced when MuNhata NaiNasi, the famous historian of Rajasthan, visited it in Samvat 1717 (AD 1660). NaiNasi was at that time the Diwan of Maharaja Jaswant Singh of Jodhpur who had been appointed the Governor of Gujarat by Aurangzeb in AD 1658. He has left for us a brief description, historical and topographical, of Sidhpur as he saw it. ‘Sidhpur,’ writes NaiNasi ‘is a pleasant city. It was founded by Sidharao after his own name. He invited from the East one thousand Udichya BrahmaNas who were well-versed in the Vedas and gave them seven hundred villages around Sidhpur. He had built a big temple named Rudramala. That was razed to the ground by Sultan Alauddin. Even so, several temples survive today. Beyond the city, towards the east, there is the river Sarasvari. A temple dedicated to Madhava had been built on its bank. A ghaTa [flight of steps leading to the river] has also been constructed. The temple was destroyed by the Mughals but the ghaTa can still be seen. A Turk has built his bungalow on the ghaTa.’
Sidhpur was liberated from the Muslim stranglehold by the Marathas in the first quarter of the eighteenth century. By the first quarter of the nineteenth, the Marathas lost to the British and in the settlement that followed Sidhpur was included in the princely state of Baroda along with Patan. The Marathas made no attempt to revive Sidhpur as a centre of Hindu pilgrimage. Nor did they try to restore Patan as the seat of a Hindu government. Neither the spiritual nor the political capital of Gujarat at one time has retained anything of a great past except wistful memories.
Rudramahalaya
The Note from the Government of Gujarat says that the Rudramahalaya was ‘built by Siddharaja Jayasimha in the 12th century’ and that ‘it had eleven shrines dedicated to Akadasa Rudras.’
B.L. Nagarch gives greater details in his aforementioned article. He writes:
‘In about AD 944 Mularaja had founded the Rudra Mahalaya, but as he had to remain busy in invasions and other engagements he could not complete it. This temple fell into ruins during the following centuries. Siddharaja JayasiMha took up the work of reconstruction of this temple on a scale greater than that originally conceived and could not finish the work till his death in AD 1143.
‘Rudramahalaya is the grandest and the most imposing conception of a temple dedicated to Śiva. Only a few fragments of the mighty shrine now survive, namely, four pillars in the north and five in the eastern side, porches of the three storeyed maNDapa. Four pillars in the back of it, a toraNa and a cell at the back remain in situ after being dismantled in the 13th century AD. With its adjacent shrines, possibly eleven, part of which was converted into Jami mosque later in the Mughal period, it must have formed part of a grand conception dedicated to Ekadaśa Rudras.
‘Originally it covered an area of 100 x 66 mtrs. The central building itself occupies an area of about 50 x 33 mtrs. The mighty pillars of this temple are the tallest so far known in Gujarat.’
It is difficult to visualize what the Rudramahalaya looked like when it stood intact and in all its majesty. No other edifice of a similar conception has survived. We have only some legendary accounts, one of which is from NaiNasi who tells us how the Rudramahalaya was conceived and constructed. We give below a summary of what he has written at length.
Sidharao, says NaiNasi, saw the Earth in a dream, appearing in the form of a damsel and demanding that she be decorated with a choice ornament. The king consulted the learned men who could divine dreams and they told him that the ornament for the Earth could mean only a magnificent temple. So the king invited architects from every land and they presented to him models of what they could conceive to be the best. But no model satisfied Sidharao and he became despondent. At that time there were two notorious thieves in his kingdom, Khapra and Kala. As they started gambling on the Divali day, Khapra wagered that he would give KoDidhaja, the renowned steed of Sidharao, if he lost the game. He lost and promised to the winner that he would procure the steed by the time of the next Divali day. He wormed himself into the confidence of Sidharao, first as a sweeper in the royal stable and then as a syce of KoDidhaja. The king who visited the stable everyday was very much pleased with Khapra’s services and spent some time talking to him. One day the king confided to Khapra his (the king’s) disappointment in the matter of a suitable temple. Soon after, the thief ran away with the horse and stopped for rest only when he reached the valley of Mount Abu. All of a sudden he saw the earth split and a temple came out. Gods and Goddesses staged a play in the temple as Khapra watched sitting in a window of the divine edifice. He was reminded of Sidharao’s despondence and thought that this was the temple which would meet the king’s expectations. He found out from the, Gods that the same miracle would be enacted again on the night of the day after next and rushed back to PaTaNa where he gave a graphic account to the king. The king came to the same spot and saw the temple which fully satisfied him. The Gods told him how to find the master architect who would build a similar temple for him. It took sixteen years to be completed, even though thousands of artisans were employed.
NaiNasi has included in his chapter on the Rudramala a poem written in its praise by Lalla BhaTTa.
Fourteen storeys rise above the earth and seven thousand pillars,
In row after row, while eighteen hundred statues studded with emeralds adorn it.
It is endowed with thirty thousand flagstaffs with stems carved and leaves of gold.
Seven thousand sculptured elephants and horses stand in attendance on Rudra.
Seeing it all, Gods and men get struck with wonder and are greatly charmed,
JayasiMha has built a temple which excites the envy of emperors. The sculptured elephants and lions trumpet and roar, all around, again and again,
The golden kalaśas glitter on the maNDapa upheld by numerous pillars.
The statues sing and dance and roll their eyes,
So that even the Gods jump with joy and blow their conches.
The ecstatic dance of Gods is watched by Gods and men who crowd around,
That is why the Bull,
A modern expert on medieval Hindu architecture has speculated about the Rudramahalaya on the basis of what has survived. ‘The Solañki tradition maintains,’ writes Dr. S.K. Saraswati, ‘a rich and prolific output in the twelfth century AD which saw two eminent royal patrons of building art in Siddharaja JayasiMha and Kumarapala. With the former is associated the completion of an imposing conception, the Rudra Mala or Rudra Mahalaya, at Siddhapur (Gujarat). Unfortunately it is now completely in ruins but a picture of its former splendour seems to have survived in a Gujarati ballad which speaks of the temple as covered with gold, adorned with sixteen hundred columns, veiled by carved screens and pierced lattices, festooned with pearls, inlaid with gems over the doorways and glistening with rubies and diamonds. Much of this is, no doubt, exaggeration full of rhetoric; but the impressive character of the conception is evidenced by the scanty, though co-lossal, remains. They consist of groups of columns of the pillared maNDapa, which seems to have been in more than one storey, and had three enterance porticos on three sides. The surviving foundations suggest that the conception with the usual appurtenances occupied a space nearly 300 feet by 230 feet. In front there stood a kirti-toraNa of which one column still remains. From the dimensions the Rudra Mala seems to have been one of the largest architectural conceptions in this area. The rich character of its design is fully evident in the few fragments that remain.’
The Jami’ Masjid
The Note from the Government of Gujarat says that ‘the temple was destroyed and three shrines in the eastern flank of the temple were converted into a mosque but there is no evidence as to the date of conversion.’
B.L. Nagarch, on the other hand, writes that ‘the inscription fixed in the modern entrance gate to the mosque mentions the construction of shops by Ali Askari in Adil Ganj and there is no reference to the mosque.’
Nor do we find a specific mention of Sidhpur or the Rudramahalaya in the available accounts of Ulugh Khan’s invasion of Gujarat. The Minorities’ Commission has made a mistake in giving the date of the invasion as AD 1297-98. The correct date is 1299.
There is, however, no doubt that Ahmad Shah I (AD 1411- 43), the Sultan of Gujarat, destroyed the Rudramahalaya and raised a mosque on the site. ‘Soon after his return to Ahmadabad,’ writes S.A.I. Tirmizi, ‘Ahmad marched to Sidhpur, which was one of the most ancient pilgrim centres in north Gujarat. It was studded with beautiful temples, some of which were laid low.’
A poetic account of what Ahmad Shah did at Sidhpur is available in Mirat-i-Sikandari, the history of Gujarat, written by Sikandar ibn-i-Muhammad alias Manjhu ibn-i-Akbar in the first quarter of the sixteenth century. ‘He marched on Saiyidpur,’
Verse
He marched under divine inspiration,
For the destruction of temples at Saiyidpur,
Which was a home of the infidels,
And the native place of accursed fire-worshippers.19
There they dwelt, day and night,
The thread-wearing idolaters.20
It had always remained a place for idols and idol-worshippers,
It had received no injury whatsoever from any quarter.
It was a populous place, well-known in the world,
This native place of the accursed infidels.
Its foundations were laid firmly in stone,
It was decorated with designs as if drawn from high heaven.
It had doors made of sandal and ud.21
It was studded with rings of gold,
Its floors were laid with marble,
Which shone like mirrors.
Ûd was burnt in it like fuel,
Candles of camphor in large numbers were lighted in it.
It had arches in every corner,
And every arch had golden chandeliers hanging in it.
There were idols of silver set up inside,
Which put to shame the idols of China and Khotan.
Such was this famous ancient temple,
It was famous all over the world.
By the effort of Ahmad, it was freed from the idols,
The hearts of idol-worshippers were shattered with grief.
He got mosques constructed, and mimbars placed in them,
From where the Law of Muhammad came into force.
In place of idols, idol-makers and idol-worshippers,
Imams and callers to prayers and khatibs were appointed.
Ahmad’s good grace rendered such help,
That an idol-house became an abode of Allah.
‘When the Sultan was free from Saiyidpur, he marched on Dhar in AH 819 (AD 1416-17).’
Siddharaja JayasiMha
The destruction of Hindu temples and their conversion into mosques was, as we shall see, a normal occupation for most of the Muslim rulers in medieval India. What adds a touch of pathos to the destruction and conversion of the Rudramahalaya is that its builder, Siddharaja JayasiMha, had become known to the Muslims as a protector of their places of worship in Gujarat. Many other Hindu rulers provided the same protection to their Muslim subjects, as is evident from the presence of Muslim populations and religious establishments in all leading towns of western, southwestern and northern India long before these towns were sacked and occupied by Islamic invaders. K.A. Nizami has devoted a long essay to this subject and named Lahore, Benares, Bahraich, Ajmer, Badaun, Kanauj, Bilgram, Gopamau and Koil (Aligarh), etc., in this context.
‘Muhammad ‘Ufi, the compiler of this work, observes that he never heard a story to be compared with this. He had once been to Kambayat (Cambay), a city situated on the sea-shore, in which, a number of Sunnis, who were religious, faithful, and charitable lived. In this city, which belonged to the chiefs of Guzerat and Nahrwala,
‘A certain Muhammadan, a Khatib, or reader of the Khutba by name Khatib ‘Ali, escaped and fled to Nahrwala. None of the courtiers of the Rai paid any attention to him, or rendered him any assistance, each one being desirous to screen those of his own persuasion. At last, having learnt that the Rai was going out to hunt, Khatib ‘Ali sat down behind a tree in the forest and awaited the Rai’s coming. When the Rai had reached the spot, Khatib ‘Ali stood up, and implored him to stop the elephant and listen to his complaint. He then placed in his hand a kaisda, which he had composed in Hindi verse, stating the whole case. The Rai having heard the case placed Khatib ‘Ali under charge of a servant, ordering him to take the greatest care of him, and produce him in court when required to do so. The Rai then returned, and having called his minister, made over temporary charge of the Government to him, stating that he intended to seclude himself for three days from public business in his harem, during which seclusion he desired to be left unmolested. That night, Rai Jai Singh, having mounted a dromedary started from Nahrwala for Kambayat and accomplished the distance, forty parasangs, in one night and one day. Having disguised himself by putting on a tradesman’s dress, he entered the city, and stayed a short time in different places in the market place, making inquiries as to the truth of Khatib ‘Ali’s complaint. He then learnt that the Muhammadans were oppressed and slain without any grounds for such tyranny. Having thus learnt the truth of the case, he filled a vessel with sea-water and returned to Nahrwala, which he entered on the third night from his departure. The next day he held his court, and summonning all complainants he directed the Khatib to relate his grievance. When he had stated his case, a body of the infidels wanted to intimidate him and falsify his statements. On this the Rai ordered his water-carrier to give the water pot to them that they may drink from it. The Rai then told them that he had felt unable to put implicit confidence in any one because a difference of religion was involved in the case; he had himself therefore gone to Kambayat, and having made personal enquires as to the truth, had learnt that the Muhammadans were victims of tryanny and oppression. He said that it was his duty to see that all his subjects were afforded such protection as would enable them to live in peace. He then gave orders that two leading men from each class of Infidels, Brahmans, Fire-worshippers and others should be punished. He then gave a lac of Balotras
Footnotes:
-
The Fourth Annual Report, p. 130. ↩
-
B.L Nagarch, op cit., p. 395. ↩
-
Nundo Lal Day, The Geographical Dictionary of Ancient and Medieval India, third edition, New Delhi, 1971, p. 38. ↩
-
Muñhata NaiNasiri Khyata, Jodhpur, 1984, Vol. 1, pp. 261-62. The passage quoted has been Translate from The original in MaravaRi language. ↩
-
The Fourth Annual Report, p. 141. ↩
-
Ibid., p. 130. ↩
-
B.L Nagarch, op.cit., p. 395. ↩
-
Muñhata NaiNasi, op.cit., pp. 258-61. ↩
-
Ibid., pp. 262-63. ↩
-
The reference is to the Bull who according to Hindu mythology supports the Earth on his horns. ↩
-
R.C. Majumdar (ed.), The History and Culture of the Indian People, Vol. V, The Struggle For Empire, Third Edition, Bombay, 1976, pp. 595-96. ↩
-
The Fourth Annual Report, p. 141. ↩
-
Ibid., p. 130. ↩
-
B.L Nagarch, op. cit., p. 395. ↩
-
Quoted by Jadunath Sarkar, History of Aurangzeb, Vol. III, Calcutta, 1972 Impression. p. 285. ↩
-
Mohammad Habib (ed.), A Comprehensive History of India, Vol. V, The Delhi Sultanat, First Reprint, New Delhi, 1982, p. 853. ↩
-
R.C. Majumdar (ed.), op. cit., Vol. VI, The Delhi Sultanate, Bombay, 1960, p. 158. ↩
-
The Islamic name of Sidhpur, unless it is a mispronunciation on the part of the historian. As we shall see in this study. Muslim rulers had Islamicized practically every important place-name in India. ↩
-
Applied to Zoroastrians of Iran to start with, the term ‘fire-worshippers’ mars later of, used for idol-worshippers in India. ↩
-
The BrahmaNas wearing the sacred thread. ↩
-
A kind of costly wood. ↩
-
Translated from the Hindi rendering in S.A.A. Rizvi’s Uttara Taimura Kalina Bharata, Aligarh, 1959, Vol. II, pp. 268-69. Strangely enough, this poem has been omitted Iron the English translation by Fazlullah Lutfullah Faridi published from Dharampur and recently reprinted (Gurgaon.1990). The English translation says, ‘In AH 818 (AD 1416), the Sultan attacked Sidhpur and broke the idols and images in the big temple at that place and turned the temple into a mosque’ (p. 14). ↩
-
Mohammad Habib, op. cit., pp. 137-42. ↩
-
The Muslim pronunciation of ANahilwaDa. ↩
-
‘The word in the original is Mugh which has been generally accepted to indicate the Zoroastrians or fire-worshippers, but Prof. S.H. Hodiwala, Studies in Indo-Muslim History (Bombay, 1939) pp. 72-73, thinks it may refer to Jains’ (Epigraphia Indica-Arabic and Persian Supplement, 1961, p. 5n). ↩
-
Unit of a silver currency at that time. ↩
-
Elliot and Dowson, History of India as told by its own Historians, Vol. II, pp. 162-64. ‘Ufi expresses surprise at the Hindu King’s behaviour because such behaviour was inconceivable for a Muslim. According to the Islamic norm, a king is expected to destroy rather than restore other people’s places of worship. ↩